net.art generator
Programmierte Verführung / Programmed Seduction
Verlag für Moderne Kunst Nürnberg, 2004
ISBN 978-3936711301
news
Legal Perspective
Four legal experts elaborate on copyright issues related to the net.art generator – from a legal perspective. Four-channel video installation, (12 to 15 minutes each). German with English subtitles.
In 2004 Cornelia Sollfrank submitted the anonymous_warhol-flowers to four copyright law experts and filmed their responses. Instead of displaying prints of the automatically generated images, these expert videos were installed at [plug.in] Basel. The interviews not only illustrate the different appraisals of the situation by various experts but also clearly demonstrate the legal grey area between artistic freedom and the letter of the law resulting from artistic appropriation. Aesthetic necessities and legal logic appear irreconcilable. Thanks to the participating lawyers: Peter Eller, Munich; Jens Brelle, Hamburg; DrsRolf auf der Maur, Zurich; Dr Sven Krüger, Hamburg.
Improved Television
Conceptual Internet music project, Spatial installation / 2001
At the heart of Improved Television there is a composition by Arnold Schönberg: Verklärte Nacht. The piece has first been modified by Nam June Paik (1977) who slowed it down to 25% of its original speed, after which Dieter Roth accelerated Paik’s version up to the original speed and made it his own edition (1979). Cornelia Sollfrank continued the series of modifications by making the piece available to the online audience on a virtual record player where the user can set the speed themselves. The intervention also has an installation version where portraits of the four artists are presented next to their statements with a sound piece composed by Sollfrank on the basis of all previous interventions.
Old Boys Network
Old Boys Network was the first international cyberfeminist alliance. OBN was launched at documenta x as part of the Hybrid Workspace where it held the 1st Cyberfeminist International in September 1997. In the following five years, the network held regular international conferences, published readers and books and served as a platform for a plethora of cyberfeminist activities. An archive of OBN’s activities is currently in preparation in collaboration with documenta Archiv in Kassel.
Original website: https://obn.org
Woman Hackers
Women Hackers is an artistic research project undertaken in 1999/2000. First part was a research on women hackers in the digital underground. The research has been summarized in a report. From there, Sollfrank developed two interventions: a Guide to Geek Girls, and the video interview with the fictitious female hacker Clara S0pht.
Liquid Hacking Laboratory
Kunstverein Nürnberg, 1 September – 15 October 2000
The ‚Liquid Hacking Laboratory‘ was an experimental setting which has been conceived by Cornelia Sollfrank and brought together twenty-five artists and hackers. It combined three elements: a temporary media lab, public presentations, and an exhibition. The idea was to go beyond traditional conceptions of art production and art presentation, and to offer –for the participating international artists and hackers as well as for the interested public– a space for exchange and knowledge transfer.
Hackers are Artists–and Some Artists are Hackers
Berlin / 10 September 1998
Interview with Cornelia Sollfrank, by Tilman Baumgärtel about Female Extension. Published in: [net.art] – Materialien zur Netzkunst, Tilman Baumgärtel, Verlag für moderne Kunst, 1999.
Hacker sind Künstler – und einige Künstler sind Hacker
Berlin / 10.September 1998
Interview mit Cornelia Sollfrank, von Tilman Baumgärtel. Veröffentlicht in: netz.kunst, Jahrbuch 98-99, Institut für moderne Kunst, Nürnberg, 1999. [net.art] – Materialien zur Netzkunst, Tilman Baumgärtel, Verlag für moderne Kunst, 1999.
EXTENSION – die virtuelle Erweiterung der Hamburger Kunsthalle
19. Juni 1997, telepolis, Heise Verlag.
Auszüge aus einem Gespräch zwischen Cornelia Sollfrank und Frank Barth, wissenschaftlicher Mitarbeiter der Galerie der Gegenwart, dem neuen Erweiterungsbau der Hamburger Kunsthalle. Anlässlich seiner Eröffnung am 23. Februar 1997 schrieb das Museum den ersten institutionellen Preis für Internet-Kunst aus. Sollfrank nahm dies zum Anlass, das Projekt Female Extension zu entwickeln.
Female Extension
Female Extension was the hack of the first competition for Internet art launched by Kunsthalle Hamburg in 1997. Sollfrank created 300 ficticious female net artists and flooded the competition with automatically generated websites. This intervention has been included in Rhizome’s net art anthology.
Original website: https://artwarez.org/projects/femext/